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Also, he has the ability to come in and listen to a song and make one statement that will hit the hammer on the head. He is not micromanaging at all and because of that musicians love him because they get to take the range in some way.
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He comes in every now and then to make decisions about the direction of the project. He is not there every single day directing the session. He lets the musicians and the engineer work together and then he checks on them periodically. Meaning, he chooses the engineer, the studio, the drummer, and the songs. You can like him to a chef, he makes the recipe and chooses the different ingredients to be used. However, because we didn’t get hired to do the major label album with them, that’s when I realised I had to move to LA to further my career. Then I got chosen to co-produce The Sea Hags record with Kirk by the studio owner. Then there was this band called Exodus which I did some demos with, who Kirk Hammett was associated with. At the time there was a great punk scene so I got to work with upcoming bands like Adolescents, Skid Roper, Tuxedomoon, Christian Death, MDC (Millions of Dead Children).
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It wasn’t that I was trying to produce or anything, I just knew how to use the equipment and wanting to record my own music.Īs soon as I started working for other people that gave me the opportunity to work with new bands. These recordings came out really good so people would ask me to do their records too. I got a starting position in a music studio and would record my band in the middle the night. My first studio job was in San Francisco, which was a bit by accident because I was more involved in radio production but I knew how to use the equipment. How did you handle that setback, especially being in the early stages of your career? Unfortunately, you didn’t get to work on their major label debut. This did well and earned them a major label deal. Before moving to Los Angeles you got to co-produce The Sea Hags with Kirk Hammett. But keep your nose into the recording scene, see bands play, make connections with people. You have to be prepared to tread water for a while, have roommates, share a flat, have a couple of jobs. They may move to LA but here it’s difficult to keep your head above water when you can’t get a good job right away. They become frustrated when they don’t get a job after 6 months of graduation. I see a lot of students that get a diploma and start knocking on doors to get a job. You have to tough it out for 2 years before people start looking at you to trust with their projects. It doesn’t happen right away, you have to be patient and slowly make these connections with people. I think when you first move to a new town like LA, New York or London you have to give it some time before you get an opportunity. It lasted about a year but it was such an important thing to have a job and be able to meet as many people as possible.
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So, my first job in Los Angeles was to paint Christmas windows but eventually got that job at Tower Record. I had plenty of experience and a good résumé but no one wanted to hire me. I moved to Los Angeles and hit every recording studio.
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I think that that was probably the most important decision of my career. I went through a big withdrawal but got through it and I have been sober ever since. I stopped partying, stopped drinking and stopped doing drugs and smoking cigarettes. In that moment I decided that if I was really serious and wanting to make a career out of this I had to make some hard decisions and actually “grow up”. I had a hangover and I was going to call in sick and cancel my session. However, I almost lost that opportunity because the night before I had stayed up partying. There I worked with Aerosmith, Prince, Rick Rubin and as an assistant for many big mixers.
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Soon I found myself in the studio with Tool and that’s how I cracked into the industry.Īlso, there was a pivotal moment when I finally got a job at a studio called Larrabee Sound in LA. Their drummer had another band called Tool who we would go watch performing in the clubs. In this little retail shop, I met some people who were in a band called Green Yellow. I had a job at Tower Records in Sunset Boulevard and there I made the most important connections in my career. We were all taking menial jobs to be able to pay rent but at the same time trying to make as many connections in the industry as we could. Los Angeles is a place where dreams are made, so, me and all the various people I met were all on a quest to make a living doing what we love. What made you keep going and not giving up when it seemed impossible to reach your goal? You moved to Los Angeles to try and break into the music industry, but it wasn’t as easy as you thought.